Between life and the art that imitates it is a vague, more shadowy category: images that exist autonomously. Pygmalion's mythical sculpture, which magnanimous gods endowed with life after he fell in love with it, marks perhaps the first such instance in Western art history of an image that exists on its own terms, rather than simply imitating something (or someone) else. In "Th...(展开全部)

Between life and the art that imitates it is a vague, more shadowy category: images that exist autonomously. Pygmalion's mythical sculpture, which magnanimous gods endowed with life after he fell in love with it, marks perhaps the first such instance in Western art history of an image that exists on its own terms, rather than simply imitating something (or someone) else. In "Th...(展开全部)

乔舒亚·安格里斯特 Joshua D. Angrist 美国麻省理工学院Ford经济学教授，美国国民经济研究局研究员，美国艺术与科学院院士，计量经济学会会员。曾任教于以色列希伯来大学和美国哈佛大学。主要教授劳动经济学和计量经济学，研究领域广泛，涉及教育经济学、社会实验、公共项目的计量经济学方法研究以及政策评估。 约恩-斯特芬·皮施克 Jorn-steffen Pischke 英国伦敦政治经济学院（LSE）教授，LSE经济表现中心资深研究员。主要教授劳动经济学和计量经济学，研究领域集中于教育政策评估，包括义务教育的收入回报、学期长短对学生成绩的影响，以及班级成员间的影响效应等。

Applied econometrics, known to aficionados as 'metrics, is the original data science. 'Metrics encompasses the statistical methods economists use to untangle cause and effect in human affairs. Through accessible discussion and with a dose of kung fu–themed humor, Mastering 'Metrics presents the essential tools of econometric research and demonstrates why econometrics is excitin...(展开全部)

Applied econometrics, known to aficionados as 'metrics, is the original data science. 'Metrics encompasses the statistical methods economists use to untangle cause and effect in human affairs. Through accessible discussion and with a dose of kung fu–themed humor, Mastering 'Metrics presents the essential tools of econometric research and demonstrates why econometrics is excitin...(展开全部)

乔舒亚·安格里斯特 Joshua D. Angrist 美国麻省理工学院Ford经济学教授，美国国民经济研究局研究员，美国艺术与科学院院士，计量经济学会会员。曾任教于以色列希伯来大学和美国哈佛大学。主要教授劳动经济学和计量经济学，研究领域广泛，涉及教育经济学、社会实验、公共项目的计量经济学方法研究以及政策评估。 约恩-斯特芬·皮施克 Jorn-steffen Pischke 英国伦敦政治经济学院（LSE）教授，LSE经济表现中心资深研究员。主要教授劳动经济学和计量经济学，研究领域集中于教育政策评估，包括义务教育的收入回报、学期长短对学生成绩的影响，以及班级成员间的影响效应等。

Publius Ovidius Naso, whom we know as Ovid, was already established as a writer when The Metamorphoses was published in A.D. 8, when he was 52 years old. It had taken him a decade to compose his great poem, during which time he published little, but the Roman world was still abuzz with excitement over his richly erotic Art of Love. So, unfortunately, was the court of Augustus C...(展开全部)

Shaw radically reworks Ovid's tale with a feminist twist: while Henry Higgins successfully teaches Eliza Doolittle to speak and act like a duchess, she adamantly refuses to be his creation. First produced in 1914, it remains one of Shaw's most popular plays. The Definitive Text under the editorial supervision of Dan H. Laurence With an Introduction by Nicholas Grene

LIZA [as she goes out] Well, what I say is right. I wont go near the king, not if I'm going to have my head cut off. If I'd known what I was letting myself in for, I wouldnt have come here. I always been a good girl; and I never offered to say a word to him; and I dont owe him nothing; and I dont care; and I wont be put upon; and I have my feelings the same as anyone else.

Shaw radically reworks Ovid's tale with a feminist twist: while Henry Higgins successfully teaches Eliza Doolittle to speak and act like a duchess, she adamantly refuses to be his creation. First produced in 1914, it remains one of Shaw's most popular plays. The Definitive Text under the editorial supervision of Dan H. Laurence With an Introduction by Nicholas Grene